Blake webber cherdleys professional#

“I’ve always tried to tread the line of what’s believable and what’s absolutely ridiculous,” Georgeson told Revue. Mocking vape culture and social media fame alike, Georgeson began developing Blake online as something of a prank experiment. The character creation of Los Angeles-based stand-up comedian Aristotle Georgeson, Blake Vapes came to life as an over-the-top alter-ego when he was smoking weed with some fellow comics. Quickly attracting attention, he became the subject of a 2015 Buzzfeed video that racked up well over 1 million views, while notoriously becoming the most disliked clip on the site. Then known as Blake Vapes, his early posts included a “documentary” where he boasts about his vaping skills and lifestyle, frequently blowing plumes from his e-cigarette while espousing his equally lofty mantras in a voice somewhere between South Park’s Eric Cartman and your average frat bro. But even looking at Insomniac, the biggest EDM promoter in the country, Pasquale has a long history of devotion to the scene and his vision reflects what the majority wants, not necessarily the most devoted among them.Seemingly born on the Internet just over five years ago, the self-proclaimed “vape god” emerged out of a cloud of smoke on Instagram.

Sure, there’s elements of corporate greed at play in most festivals in certain aspects. There’s more diversity than before (though we still have a long way to go) and the stages are getting bigger and louder. That doesn’t mean that the events themselves are getting worse. I’m definitely guilty of this one, though I don’t think festivals today are “trash.” I’m just getting older and I can’t personally hang with the young kids anymore. Festivals today aren’t trash, it’s just your nostalgia running wild You’re certainly going at your own risk, and the potential for a lifechanging time is there, but sometimes it’s not worth it. They are sometimes (not always) run without concern for health and safety and standard rules need not apply.

Blake webber cherdleys professional#

When you have professional sound and lights, and comparatively higher fees, artists are going to be less likely to play in a storage container out in the Mojave Desert.īut to the point that this user is making, there is no oversight. Underground raves, as in true underground raves without a well-known (or insured) promoter that typically are spread via text and word of mouth, are few and far between these days. This one definitely nails the hot take question. Underground raves are actually not that cool It’s why recorded sets on YouTube still rack up tens of thousands of plays years after the event. And if you like a set, you’ll be more likely to have fun seeing it again. But the basic idea holds up to scrutiny - especially during a large artist tour when the music is time-coded to the visuals, there are certain inherent restrictions on how much a set can be changed from night to night. This one is so dependent on personal taste and frequency of shows that it’s hard to put commentary on. That being said, guys like Cherdleys, Trevor Wallace, and Blake Webber get a lifetime pass. It gets universally cringe when we feel that someone from outside the community is trying to co-opt our world for their views. Others still might enjoy parodies of people on their first roll at a festival, asking random passersby for gum and water. For others, skits about rave moms might feel incredibly relatable. For my jaded self, videos making fun of wooks might scratch an itch.

And a lot of it depends on how deep and fresh into the fandom you are. The passion for the music doesn’t just disappear when you hit a number sure, I go out less now than I did in my 20s, but you can still catch me front rail at smaller festivals and running into the crowd when I hear my favorite DnB track come on. AgeismĪs a 31-year-old myself, who’s been going to shows since he was 18, and working in the scene since 24, I’ve had my fair share of people asking me how I still do it.

We’ve highlighted a few below, but you can read the whole thread here. It’s also why, when /u/ Adventurous_Care6669 asked r/EDM about their hot takes, many of them were community focused. (Exceptions apply.) That could be why when community issues arise, they seem to spread like wildfire and end up as a discussion on Reddit, Twitter, TikTok, Instagram, and more. More than many other genres of music, when it comes to EDM, a gathering of fans are more similar to a community than a group of people with a common interest.